’33 Alfa Romeo 6C wins at Concorso d’Eleganza

At the Villa d’Este on Lake Como, the judging is done; the black-tie dinner and the parties have ended; the guests are departing: the 2012 Concorso d’Eleganza has come to an end.

The Concorso d’Eleganza Villa d’Este is among the world’s top classic car events, ranking alongside the Pebble Beach Councours. The venue is hard to beat for the beauty of the Italian landscape around Cernobbio and the elegance of the Grand Hotel Villa d’Este and Villa Erba. The organizers say visitors can experience “authentic aristocracy” as opposed to the “slightly commercial atmosphere” of other shows.

The first Concorso d’Eleganza was held in September 1929. The “Coppa d’Oro Villa d’Este” (“Gold Cup of Villa d’Este”) was organized by the Automobile Club of Como, the Grand Hotel Villa d’Este and the Comitato di Cura di Como. The show ran until the opening of World War. Following the Allied victory, organizers staged a show in 1947 but decided the Concorso should be a biennial event. The 1949 show was the last: the decline of the custom coachbuilding industry that had been the shows backbone as manufacturers recovered from the war forced organizers to suspend, then cancel, the 1951 show and another never materialized.

The Concorso d’Eleganza was revived in 1995 by Italian author Tito Anselmi, but the show lacked the stability needed to regain its former stature. In 1999, BMW became the show’s patron and the Concorso has grown ever since.

In 2002 a new prize, the Auto and Design Trophy, was created to honor concept cars. This unique prize, which sets the Concorso d’Eleganza apart from other councours events, has its roots in the original show as designers and cars companies would frequently present their latest ideas at the show.


2012 CONCEPT CARS & PROTOTYPES
Car Year Type Entered By
Pininfarina Cambiano 2012 Electric Luxury Sedan
Alfa Romeo 4C 2011 Sport Coupé Marco Tencone
Stile Bertone Jaguar B99 2011 4-Door Sedan Marco Filippa
Rinspeed Dock+Go 2012 2-seat Electric City Car Hans Roth
Ford EVOS Concept 2011 4-Door Sedan Martin Smith
Italdesign Giugiaro Brivido 2012 Hybrid Gran Turismo Fabrizio Giugiaro
Lexus LF-LC 2012 2+2 Hybrid Sport Coupé Kevin Hunter
Rimac Automobili Concept One 2011 Electric Coupé Mate Rimac
Aston Martin Lagonda Project AM 310 2012 GT Sports Ulrich Bez


This year, BMW presented its newest concept, the Zagato Coupe, as well as its first concept, the Paul Bracq-designed BMW Turbo of 1972 which later became the template for the BMW M1.

In addition to the public awards, an expert jury selects the winners of several more competitions. This year’s jury was led by Lorenzo Ramaciotti, head of design for Fiat and Chrysler. Jury members included: Charles Lord March, host of the Goodwood Festival of Speed and Goodwood Revival events; Patrick le Quément, former head of design at Renault; Harm Lagaay. former head of design at Ford, BMW and Porsche; Winston Goodfellow, journalist and automotive historian; Hideo Kodama, designer and illustrator; Stefano Pasini, eye specialist, freelance journalist and author of several automotive books; Nick Mason, founding member and drummer of Pink Floyd and passionate racing driver and Ian Cameron, Design Director for Rolls-Royce Motor Cars. Martin Roth, Director of the Victoria & Albert Museum in London, served as an Honorary Judge.


2012 Concorso d’Eleganza Awards
Coppa d’Oro Villa d’Este – Best of Show by Public Vote
1933 Alfa Romeo, 6C 1750 GS, 6th Series Coupé with Figoni body – David Cohen (Canada)
JURY AWARDS
FIVA Trophy – Best Preserved Pre-War Car
1935 Avions Voisin, C 25, Berline Aerodyne -
 René Rey (Switzerland)
ASI Trophy – Best Preserved Post-War Car
1969 Porsche, 917/K, Coupé – Mark Finburgh (UK)
BMW Group Classic Trophy – Most Sensitive Restoration
1968 Ford, GT 40 Mk3, Coupé – Gary W. Bartlett (USA)
Rolls-Royce Trophy – Most Elegant Rolls-Royce
1922 Rolls-Royce, Silver Ghost, Picadilly Roadster with Rolls-Royce Custom Coach Work body – Caesar Peier (Switzerland)
Vranken Pommery Trophy – Best Iconic Car
1956 Mercedes-Benz, 300 SL, Gullwing Coupé – Lionel Scotto le Massese (France)
Foglizzo Trophy – Best Interior Design
1954 Ferrari, 250 Europa, Coupé with Vignale body – Heinrich Kämpfer (Switzerland)
Auto & Design Trophy – Most Exciting Design
1975 Lamborghini, LP 400 Countach Coupé with Bertone body – Paul van Doorne (Netherlands)
Automobile Club of Como Trophy – Car driven from farthest away
1939 Tatra 87, Aerodynamic Sedan, Ringhoffe – Karol Pavlu (Slovakia)

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Shots from Chicago

Jim Choate is at the 2012 Chicago Auto Show and sends photos of some of the noteworthy vehicles on display.

General Motors is showing the latest version of the popular Acadia crossover (above) while Cadillac has its new small ATS sedan (below) that the marketing guys will be a real competitor for the BMW 3-Series.

The XTS replaces the DTS in the Cadillac lineup, leaving Caddy without a V8-powered passenger car for the first time in decades.

The Australian-built Caprice PPV hasn’t been what one would call a real barn-burner. Offered only to the government market, Chevy sold just 880 copies last year.

Hyundai’s Elantra Coupe is the latest addition to one of the hottest-selling cars on the market.

The 202-mph Lexus LFA with its 552-horsepower V10 is one of the most anticipated premium cars coming out this year.

All photos Copyright © 2012 Jim Choate. All rights reserved. Used by permission.

Lincoln MKZ concept crucial to brand’s future

Ford Motor Company will introduce the new Lincoln MKZ Concept today at the North American International Auto Show in Detroit. Of all the new Ford products at the show, this one might be the most important. The success of the new look could determine whether or not Ford shrinks to a single brand for the first time in almost 90 years.

In 1998, Lincoln became the first first luxury brand to outsell Cadillac since 1950. Since then, the brand has fallen on hard times, becoming little more than poorly marketed, upcontented Fords. From first place in 1998, Lincoln had fallen to eighth by 2005 and has never risen above sixth since then. Touting Ford’s industry-leading infotainment technology didn’t help and neither did the controversial “waterfall” styling. Part of the problem was that Lincoln didn’t even have its own design director: styling resources have been shared with Ford and Mercury. Lincoln was essentially reduced to yet another Ford trim level.

“With the Lincoln MKZ Concept, we are not introducing a new car. We are essentially introducing a new brand,” said Derrick Kuzak, Ford V-P for Global Product Development. “The MKZ Concept is the next step in the reinvention of Lincoln, something we’ve been quietly but aggressively pursuing.”

A big part of that introduction happened last year when Ford hired Australian-born Max Wolff away from Cadillac and made him Lincoln’s new design director. Since that time Lincoln, has been able to create a team of designers, engineers, QA and manufacturing pros and a dedicated marketing and sales group. Also new is a 40,000 square-foot design studio in Dearborn that began construction last year.

“This is the first time Lincoln has had its own studio since the 1970s,” said Wolff. “Having our own space is critical to the continued development of the brand. We are passionate about creating beautiful, even seductive, vehicles – and the MKZ Concept marks just the beginning.”

Lincoln says the MKZ Concept is a taste of things to come. It’s certainly an improvement over the things that are. The MKZ Concept retains the split grille inspired by the 1938 Lincoln Zephyr but transforms it by shrinking it and changing the bars from vertical to horizontal. The overwrought chrome grin becomes stylish wings.

“The MKZ Concept’s shape is a vision of simplicity completed with just a few strokes,” said Max Wolff, Lincoln design director. “Our movement as a brand is toward something we call elegant simplicity. It’s something warmer and more restrained, which is moving away from complex designs and traditional luxury.”

The new strokes change the car’s profile from J Mays’ leftover Audi humpback to sweeping lines that flow from front to back. The full-width tailight treatment uses LED technology.

One element that probably won’t make it to production is the panoramic glass roof that runs from the windshield to the top of the backlight and from side to side between the roof rails.

The interior is a pleasing blend of polar, aluminum and taupe leather that creates a warm ambiance. One thing that is immediately apparent is the lack of a shift lever. The MKZ Concept uses a pushbutton gear selector.

Of course, no Ford product would be complete without an overdose of infotainment technology and the MKZ doesn’t disappoint. However, it does cut down on potential driver distraction with a screen mounted in front of the driver something that should be universal in any car with connectivity.

The MKZ Concept strongly hints at the production model arriving in dealerships later this year, as well as Lincoln’s design future. Ford says it rides on an all-new platform capable of accepting various drivetrains (read: hybrid) and either front- or all-wheel drive configurations.

Wolff and his team may not have turned the ugly duckling into a complete swan yet, but they have produced a much more handsome duck.